I’m always impressed with musicians whose gear is so old and worn it’s a miracle they get any tone out of it at all, Willie Nelson’s guitar, Trigger, comes to mind. How many hours of practicing repetitive scales does it take to wear out a guitar’s maple or rosewood fretboard — or dig a new sound hole into Canadian spruce or Hawaiian Koa from strumming it with a plastic pick? In April 2019, I visited…
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